b. 1964, India
Atul Bhalla has explored the physical, historical, spiritual, and political significance of water to the urban environment and population of his city (New Delhi) through artworks that incorporate sculpture, painting, installation, video, photography, and performance.

In Immersion, Bhalla uses sand taken directly from the Yamuna River to make concrete casts of portable water containers. These casts are then placed in water-filled vitrines, drawing a connection between Delhi’s historical source for water and the spiritually absent disposable containers of today. Similarly, in his photographic works of “piaus” (water spigots)—a public source of drinking water—Bhalla examines water as both symbol and source of renewal and reexamination.