PESERTA
CADANGAN KARYA
“What’s It Like Being Human” is a work in progress series using the medium charcoal and ink on paper. Documented on A4 (21 x 29.7 cm) watercolour paper with the objective to produce 100-150 pieces of a zoological illustration.
“What’s It Like Being Human” is a process and documentation visual art series in reflection of internal oblivion and solitude during MCO. A series of work with the idea of contemplation within the 4 walls in a melancholic bedroom but only one transparent wall to have a sense of exterior, that brings to the psy chological rumination about thoughts and virtues of being human. As the MCO exponentially elongated day by day, the only subject matter that is vividly close, is upon seeing the bedroom mirror. A creature, an apex species, a divine being with unique mannerism and behaviour, a human. To what difference does a human possesses in comparison to the intellectual creatures and living things on earth. In juxta position to animals, vegetations, viruses, and other creatures that breathes, we feel as if humans own a higher state of intelligence despite how infinite the universe is but all is left to be confined in our 3-di mensional cuboid space. A human in a box, an observation study, an experimentation report, an abstracted analysis. A study of humans of how they feel, what they feel, why they feel. At what emotions and physical and mental state of mind do they own. To what lies every correlation of human anatomy and the essence of a person.
In an attempt to understand and dissect the attributes of being human, for what lies the intangible and physical existence. A series of work in progress to depict in an “alien” perspective learning the nature of “people” and adapting their manner. In this series that will display hypothesis and analysis on the anatomy of person, beyond than just a basic human form. A reflection series, searching for qualities, purpose, and essence of being human (to what’s good and evil, to what’s right and wrong) archived in a form of an anthropological abstraction.
In being an alien, and in process to be more human. To adapt to their ecosystem. To learn their struc ture and composition. To feel what they feel. To know what’s it like being human. In being a human being.
With the new norm, art has become limited but not restricted. due to these times, i have wondered my research through mediums of charcoal and the integration of technology and digital. What I hope to achieve is having to mix charcoal and digital art. My hypothesis in charcoal will be juxtaposed with the final mixed media – new media art. ‘Digital Visualisation and Conventional Medium” These studies will conclude the final outcome as referred onto the next page. To come up with a complete publication in thesis and projection display.
Proposed location can either be virtual or Simple spaces as ThebackroomKL, Richard Koh Fine Art Gallery, Suburbia Projects, etc.
“Human+ Replication” (1/2)
Digital Visualisation, 2020
An experimentation in recreating the human skeletal system to explore beyond the composition in structural and in expres sion of the apex species – in what in an oblivious perception – from an alien perspective, abstracting the human form.
Experimentation and analysis conducted on the possible respiration pattern of the mutated/hypothesised human repli cation.
Initially conceived as a response to the current unsettling times, AoM has evolved into exploring the digital as a space where artists can explore and create. It sees the internet as an easily-accessible medium that allows artists to explore novel ideas beyond the restrictions of physical time and space.
Especially in times of lockdowns and closed borders, the World Wide Web has been necessary for a sense of movement. As we travel virtually, it points to an alternative dimension where movement is not restricted, could be bypassed, and allows access beyond physical limitations.
AOM 1.0 is the result of a process of identifying exemplary works of digital and internet art from the South east Asian and South Asian regions – aiming to explore the idea of experimentation, accessibility, motion and inclusion.
Through works that signify shifting formal and aesthetic standards, the exhibition taps into the idea of the internet as a deterritorialized site, a space providing the possibility of movement in all directions.
https://anthologyofmetaverses.com/exhibitions/2021/index.html
KARYA AKHIR
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